|
|||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Death (DC Comics) |
| Death | |
 Death, as illustrated by Chris Bachalo. in Death: The Time of Your Life #1. |
|
| Publication information | |
|---|---|
| Publisher | DC Comics (Vertigo) |
| First appearance | The Sandman vol. 2, #8 (August 1989) |
| Created by | Neil Gaiman Mike Dringenberg |
| In-story information | |
| Team affiliations | The Endless |
| Notable aliases | Elder Sister, Teleute |
| Abilities | nigh-omnipotent aspect of life and death |
Death is a fictional character from the DC comic book series, The Sandman (1988 - 1996). She was created by Sandman writer Neil Gaiman and given visual life by illustrators Mike Dringenberg and Malcolm Jones III.1
In the stories, Death is both the end of life and a psychopomp. Like most anthropomorphic personifications of death, Death meets with the recently deceased and guides them into their new existence. However, unlike most personifications of death, she also visits people as they are born, according to Destruction in the "Sandman Special". Evidently, only she seems to remember these encounters. In the special issue, it is also revealed that Death was known in Ancient Greece as Teleute.
Death is also a complete opposite of the traditional western culture personification of death (see Grim Reaper). In The Sandman, Death instead appears as an attractive, pale young goth woman dressed in casual clothes - often a black top and jeans. She also wears a silver ankh on a chain around her neck, and has a marking similar to the eye of Horus around her right eye.2 She is pleasant, down-to-earth, and perky, and has been a nurturing figure for both incarnations of Dream. This irony has helped make Death one of the most popular characters from Sandman.
Death is the second eldest of the Endless,3 a family of anthropomorphic beings.2 Death is possibly the most powerful of the Endless (and may be the most powerful being in the universe) having been shown (in a flashback in Brief Lives) to be virtually omniscient and being able to intimidate the Furies, who show no fear of the other Endless, simply by raising her voice in The Kindly Ones. The witch Thessaly mentions that Death is the only one of the Endless who is bound by no rules. In addition, it is mentioned in Brief Lives that she is the only one of the Endless who may survive the end of this incarnation of the universe. Death's realm is not portrayed in detail in the series, except for a brief scene in her 'house' in the Sandman Special, Song of Orpheus, and later in The Books of Magic series. This is where she keeps her floppy hat collection, her goldfish Slim and Wandsworth and possibly her gallery. A brief glimpse of her realm can also be seen in the first issue of The Wake, where a messenger visits her as she walks in open grasslands, and in The Little Endless Storybook, when Barnabas visits her, again in her 'house.'
One day every century, Death lives (and dies) as a mortal, in order to understand the value of the life she takes. She does this by merging herself with a mortal fated to die that day. At the end of Death: The High Cost of Living her Endless self briefly converses with the merged being that is the mortal host and her Endless self.
Contents |
Death first appeared in the final chapter of Sandman’s first story arc Preludes and Nocturnes, "The Sound of Her Wings", (issue #8) where she gave Dream direction and a degree of understanding. Death instantly became very popular to readers, and she appears at least briefly in each of the nine subsequent story arcs. However, Gaiman attempted to entice and tease readers by rationing out the number of appearances from Dream’s family, so Death did not appear as frequently as one might expect for such a popular character. At the end of the ninth Sandman story arc The Kindly Ones, there is a lengthy and noteworthy appearance from Death, in which she finally brings her brother peace.
Death's popularity saw her spun off into two solo limited series, Death: The High Cost of Living (1993), and Death: The Time of Your Life (1996). Both were written by Gaiman and illustrated by Chris Bachalo, and dealt with Death's encounters with various mortals. Death: The High Cost of Living became the first comic released under the newly-instigated Vertigo branding in 1993, at which point The Sandman also moved from the DC to Vertigo imprint.
In 2003, the manga-style graphic novel Death: At Death's Door portrayed Death's activities during the fourth Sandman story arc Season of Mists. It was written and illustrated by Jill Thompson, and the format proved popular enough for Thompson to produce the similarly manga-influenced follow-up Dead Boy Detectives, featuring minor Sandman characters, and "featuring a cameo by Death."4
A one-shot issue titled A Death Gallery (1994) was released as one of several art showcase comics spotlighting various Sandman characters released between 1994 and 1995. The Death Gallery featured representations of Death by more than thirty comics artists, including a rough sketch by Gaiman himself. In Endless Nights (2003) Gaiman shows Death several billion years ago, with a markedly different personality — forbidding and joyless.
She also appears in The Books of Magic (first volume, 1991, also written by Gaiman) at the very end of time, where her function is to set things in order and close the universe down. She meets Timothy Hunter and Mister E there after Mister E has taken Timothy all the way to the end of time, because only there can he kill Timothy without fear of interference. Death stops the murder on the grounds that "I took both of you billions of years ago."5 John Ney Rieber included her in The Books of Magic (vol. 2 #3-4), in which she lets Timothy Hunter hang out at her house and hold her teddy bear, Cavendish, while he is recovering from the venom of the Manticore. Hunter later encounters Death walking in the rain in The Books of Magic #25, and there was later an arc about her in Hunter, The Age of Magic. In Hellblazer #120, Death appears briefly in a pub filled with ghosts.
In the AIDS-awareness eight-page comic Death Talks About Life by Gaiman and McKean (which was first included in various Vertigo titles, and later released as a stand-alone giveaway pamphlet), Death demonstrates safe sex by placing a condom on a banana held by John Constantine. Lightening the impact of the underlying message, she informs the reader that when one is through with the demonstration, "you can eat the banana."6 This was used in high school health classes and is also reprinted as an addendum to the Death: The High Cost of Living trade paperback.
Death has also made occasional appearances in other DC comic books. She made a controversial appearance in Captain Atom #42 (June 1990), appearing as merely an aspect of death, to the annoyance of Gaiman (see below). Keith Giffen used the character in several mainline DC stories, including Ambush Bug Nothing Special #1 (Sep 1992), a brief cameo in Lobo's Back #3 (Oct. 1992), in which she slaps Lobo for getting fresh with her, and she comes to take Superboy in the retconned-out Legion of Super-Heroes Vol. 4, #38 (Dec 1992). She also appeared in Mike Carey's Lucifer series after the eponymous main character was near-fatally wounded, however, being as the power of the Endless is in rooted in this universe and she was in an entirely separate one, she was not there in her official capacity; in her words, she merely "[needed] to know what happens next".
Death also appears in a poster in Sam Kieth's The Maxx comic and MTV adaptation. Kieth, the first artist for the series, admitted that he felt as if he didn't fit in with the work and may possibly have left with some resentment, as in The Maxx comic, a character states that "death is hard, and cold. Not some cute chick."
Death made an appearance in the Marvel Universe, at the wedding of Rick Jones and Marlo Chandler in an issue of The Incredible Hulk (handing Rick a hair brush, the joke being Rick's constant 'brushes with death'). However, this was probably only the Death of the Marvel Universe assuming a form more appropriate for the occasion, rather than an actual appearance by the DC version. Likewise, she and Dream appeared in a recent issue of New Avengers, lamenting the sell of Doctor Strange's home.citation needed
Death is also the narrator and host of the Paradox Press multi-artist volume The Big Book of Death (1995). She also features in a section of Paul Cornell's Doctor Who spin-off novel Happy Endings in a brief cameo, quoting her dialogue from the original The Books of Magic mini-series. The section was written by author Neil Penswick, as part of a chapter written in tandem by the authors of the previous 49 novels.7
According to Gaiman, the initial visual design of Death was based on a friend of Dringenberg's named Cinnamon.8 From The Sandman Companion:
| “ | Death is the only major character whose visuals didn't spring from me; that credit goes to Mike Dringenberg. In my original Sandman outline, I suggested Death look like rock star Nico in 1968, with the perfect cheekbones and perfect face she has on the cover of her Chelsea Girl album.
But Mike Dringenberg had his own ideas, so he sent me a drawing based on a woman he knew named Cinnamon — the drawing that was later printed in Sandman 11 — and I looked at it and had the immediate reaction of, "Wow. That's really cool." Later that day, Dave McKean and I went to dinner in Chelsea at the My Old Dutch Pancake House and the waitress who served us was a kind of vision. She was American, had long black hair, was dressed entirely in black — black jeans, T-shirt, etc. — and wore a big silver ankh on a silver necklace. And she looked exactly like Mike Dringenberg's drawing of Death. |
” |
McKean also used a series of professional English models for representations of Death on covers of Sandman.9
Despite some rumors, Death is not based on Gaiman's friend Tori Amos.10
Death's apparent age varies slightly. In the picture above, from Death: The The Time of Your Life, she appears to be teenager. In most Sandman stories she looks to be in her mid-twenties. In the giveaway Death Talks About Life (an AIDS-prevention giveaway), Death appears to about thirty, with wrinkle lines in her forehead that are not usually present.
Other personifications of Death have appeared in the DC Universe. These altering physical appearances may be rationalized as being completely different characters with an unknown relation (or lack thereof) to the overall Death shown in the Sandman series, or may be explained by a sequence at the beginning of the Sandman series. In the sequence where Morpheus is searching for his objects of power, he appears at Martian Manhunter's door, and for a frame we see him as Martian Manhunter sees him: it's nothing like humans see him. This could indicate that the physical appearance of the Endless (the appearance of Dream, at the very least) is subject to the mind of the person doing the observing. Many references are made throughout Death and the Sandman series which indicate that perception of the form of the Endless is subjective, not objective.
In Captain Atom #42 (also by Giffen) Death appears alongside Black Racer of the New Gods and Nekron (a "god of death" from Green Lantern). The story stated that all three were equal, representing different aspects of death. Gaiman has refuted this, however, and his stories make it clear that Death of the Endless is the ultimate personification of Death. It might be assumed, however, Nekron, the Racer, and the Black Flash are connected to her in some way.
A more traditional version of Death, a skeleton in a bluish or purplish cloak, appeared as host in such DC titles such as Weird Mystery Tales, House of Secrets, Ghosts, Weird War Tales (including being in the story in issue #94), DC Comics Presents #29, Justice League of America Annual #1, etc. How this pre-Crisis Death relates to Gaiman's Death, if at all, is unclear, although her older brother Destiny appeared with the character, and both Deaths have appeared with incarnations of Superman. Superman referred to the earlier Death with the term "Grim Reaper", so perhaps that could be regarded as a distinct character.11
In Swamp Thing vol. 2, #6, The Phantom Stranger met Death in the form of a middle-aged gentleman, possibly inspired by Death Takes a Holiday. In the story, a young woman, Margaret "Maggie" Brennan, had what should have been a minor head injury and at one glimpse of Death chose to become Death's bride. As someone newly-dead herself, she taught Death that he needs to show compassion for the newly-dead to allay their fears. He takes her advice and they both serve as aspects of Death. This version of Death was created by Mike W. Barr and Dan Spiegle. Maggie is blonde and bears only minor physical resemblance to Gaiman and Dringenberg's version, though her compassionate nature is a similarity.
|
||||||||||||||
 |
 |
 |
 |
 |
 |
 |
 |